Troy Buzby

Troy Buzby, Author


Chapter 13

Genre Application: Horror - The Shining

The Hook (Two Sentences)

“A recovering alcoholic takes his family to an isolated hotel to write. But the hotel wants him for something else entirely.”

Horror weaponizes the protagonist’s lie against them.

The Core Paragraph (Five Sentences with Connections)

Jack Torrance believes he’s a victim of bad luck, not bad choices (lie). THEREFORE when offered the Overlook caretaker job, he sees redemption, not isolation. BUT the hotel feeds on his resentments and denied rage. THEREFORE his family becomes the target of what he won’t face in himself. BUT only Danny’s gift can reveal the truth Jack refuses to see.

Character Foundations

Jack Torrance

  1. The Wound: Father’s abuse, own failures
  2. The Lie: “I’m not responsible for my anger”
  3. The Mask: The misunderstood genius
  4. The Want: Recognition as a writer
  5. The Need: To face his own monstrosity
  6. The Engine: Denial opens him to possession

Wendy Torrance

  1. The Wound: Needs to believe in Jack
  2. The Lie: “Love can fix him”
  3. The Mask: The supportive wife
  4. The Want: A happy family
  5. The Need: To protect Danny above all
  6. The Engine: Enabling endangers everyone

Danny Torrance

  1. The Wound: Seeing parents’ truth
  2. The Lie: “I can keep everyone safe”
  3. The Mask: The good quiet boy
  4. The Want: Parents to love each other
  5. The Need: To accept what cannot be fixed
  6. The Engine: His gift attracts the hotel

Conflict Grid

CharacterTheir LieConflict with Others
Jack“I’m the victim”Family suffers his choices
Wendy“Love conquers all”Jack’s darkness consumes
Danny“I can fix this”Some things can’t be fixed

But/Therefore/Meanwhile in Action

Horror escalates through character denial meeting supernatural threat:

  • Jack takes job THEREFORE family isolated
  • BUT hotel has violent history
  • MEANWHILE Danny sees terrible visions
  • THEREFORE warns parents
  • BUT Jack resents implications
  • THEREFORE drinks despite promises
  • MEANWHILE hotel influences grow stronger
  • BUT Jack embraces rather than resists
  • THEREFORE becomes the monster he denied

Why This Horror Works

Structure: External horror manifests internal truth Character: Protagonist becomes the antagonist Momentum: Each denial deepens possession

The horror works because the hotel doesn’t create Jack’s monstrosity—it reveals what his lie always hid. The supernatural merely strips away pretense.

Key Horror Applications

  1. Wound as Portal: Character damage invites the horror
  2. Lie as Weakness: Denial becomes vulnerability
  3. Meanwhile Dread: Horror builds in ignored spaces
  4. Truth Too Late: Recognition comes after transformation

Horror succeeds when the monster outside reflects the monster within. The genre punishes lies with literal transformation—you become what you deny.

The Universal Pattern

Whether thriller, romance, or horror, the pattern holds:

  • Wound creates Lie
  • Lie shapes Identity
  • Plot pressures Lie
  • Truth demands Change

Genre only determines how that pressure manifests:

  • Thrillers use revelation
  • Romance uses relationship
  • Horror uses transformation

But all stories are about characters discovering who they really are. Genre just flavors the journey.